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If you have never heard of The Octopus Project, you should begin immediately. This Texas group have been around for a few years, have been winning people over with their brand of music and recently added a “visual artist” into their lineup to add a different dimension to their brand of music. This has resulted in a brand new album called Hexadecagon, which can be purchased on vinyl as a 2LP set. To make it interesting, The Octopus Project have placed locked concentric grooves on it, which means once it reaches the end heads towards the run-off groove, it will infintely loop a sound made specifically for that section of the record. However, a “concentric groove” also means that when you apply the needle to the record, it may play different songs each time the record is played.
In addition to these things, the record comes with a zoetrope, or a series of four zoetropes, one for each side of the record, which you can see by clicking the instructional video below. Short version: you cut out a piece of paper, place it onto the record label, and you will be able to see/watch an animated sequence on your record. Zoetropes have been used on everything from playgrounds to art displays and even McDonald’s Happy Meals, so it’s definitely bringing back the concept of the old, onto a means of audio technology that’s old, into the new and modern digital era to those who may have never known these vinyl tricks can be produced.
To see another example of a zoetrope on a record, click here.
Hexadecagon is out now as a CD and trendy MP3, but the vinyl pressing will be hitting the analog streets on November 9th. You can order your copy from Midheaven.com.
It’s hard to believe that the album was release 21 years ago, but now Kate Bush‘s The Sensual World is getting the audiophile treatment, as Audio Fidelity will be reissuing it as a 180g vinyl pressing. This version was remastered by Steve Hoffman, so if you missed the original UK or US vinyl pressings (I have the U.S. Columbia), you’ll want to spend the money for this one. Not only is it her best selling album, but there’s some great songs on the album, including “Love And Anger”, “The Fog”, “This Woman’s World” (later covered to great effect by soul vocalist Maxwell), and the sensual title track.
You can order your copy from CD Universe, or pick it up at your local record shop when it is released on November 2nd.
Pro: This is a brand new song by Nicole Schersinger, from hopefully will not be an album and/or project that will be scrapped. It’s nice, she’s looking good as always, and with enough of a push it will be a hit.
Con: While the song is okay, it’s not extraordinary. It’s more ordinary than anything, but if one is to compare this with other tracks she has done on her own (i.e. outside of The Pussycat Dolls and Eden’s Crush, it fits in because it has a nice pop sound. The one thing that gets to me is that producers are not utilizing her voice and talent to its greatest potential, and that for the most part, people are trying too hard to fit her into a style that they feel is perfect for her. She can do dance, she can do pop, she can sing soulful, she could be dropping cameos on hip-hop tracks if she wanted. Go back to when she did songs as Nicole Kea and she could easy create nice and beautiful acoustic songs, she would be perfect alongside Jack Johnson, Donavon Frankenreiter, or Bruno Mars. One song of hers that didn’t get pushed properly was a single she did a few years ago called “Super Villain”, where they tried to give elements a slight Lil’ Jon touch. The song, and the two other songs Interscope released around the same time, went nowhere.
So what’s the problem? Too ethnic? Or is it because someone with her background seems difficult to market in today’s music world? She doesn’t look like Lady Gaga or Katy Perry and yet they’re trying to push her in that same bracket, or even Britney Spears. Britney fucking Spears? Scherzinger has a voice, and one that could do some serious damage if she was placed in the hands of the right producers in a recording studio. I’d love to her Scherzinger do a song with Phonte Coleman, or Latoiya Williams, Gloria Ry’ann, Destani Wolf, or anyone who actually has a voice and a soulfulness that makes her more than just a face.
Yes, I say that as a fellow Hawaiian so I’m going to give Scherzinger all the aloha I can from afar. Yet I would not do that if she was someone without the talent. Her track record proves this: she showed up on a VH-1 diva show where the spotlight was meant to be on others, and everyone wanted to know “who was that thin Asian chick who can belt it”? I knew who she was, and all of a sudden she was on radio and TV everywhere. I became a fan, and the voice takes me away. But no one has yet to give her the right songs to take her to the top. Hell, I have a song for her, let’s get ?uestlove on drums, James Poyser and Nicolay on keyboards, and do a song. Why not?
Nonetheless, I show support but I just hope this video is a small hint of the greatness to come. Otherwise, she will get lost in the crowd, and I would not blame her if she were to leave the music industry behind and say “screw this, let me be in films and television, at least people will be in tune with who and what I am.”
Blame the economy, blame modern technology, blame high costs in advertising, you can place the blame on a number of things for the demise of the newspaper industry. It’s a topic that’s discussed everywhere from cable news shows to blogs and forums. People may buy a newspaper out of habit, but a lot of times most people will just read one section and one section only, two at the most. Because of the decline, one thing that doesn’t get any mainstream coverage is the decline of the writing. While people are writing, reporting, and investigating, a lot of times it seems that not enough of it is being done, and it’s bad when it comes from people you know are good writers but get caught up in trying to meet a deadline.
That is the case with an article about a band from Florida named The Supervillains, an indie rock band with reggae and ska overtones in the vein of 311, Sublime, and Linkin Park. The Supervillains are performing locally at a nightclub next week, and the headline in the Tri-City Herald article is that they are a reggae band. One look at their photo tells me that they’re not a reggae band. It’s not because they are all lighter in complexion than the average reggae band, but even if they were, they don’t look like a band that’s strictly reggae. If they were a reggae band, they looked more like a group that combined ska and rock, like The Mighty Mighty Bosstones. To me, they didn’t even look like a ska/rock band. Hell, one of the guys looks like Pick Boy (played by actor Jeff Sutphen) from the old Nickelodeon show U-Pick Live.
Then it was the actual headline that did it for me: Ehh, brah. I’m from Hawai’i, to me that could mean one of two things:
1) These guys are a Jawaiian (Hawaiian reggae) band from Hawai’i
2) These guys are from California, where saying “eh, bra” (which translates to “how are you, my brother?”, “sir, how are you today?” or “howdy, friend”) is a part of the surfing community lingo.
Um, since when? For as long as I can remember, I’ve always heard a greeting from Jamaica, the island nation which gave the world ska and reggae, as being “ey mon”, as in “hey, man”, same as “how are you, my brother”, “howdy, friend”, or “wassup, bra”. Now, go to Africa, Japan, Hong Kong, India, Australia, or throughout the Pacific Rim. Go to any place where reggae music is a personal favorite, and despite the different accents and language barriers, you will always hear someone saying the word “mon”. “Good music? No problem, mon.” In other words, “ehh brah” is not a familiar greeting amongst the world of reggae music, unless you are part of the surfing communities of California, Hawai’i, Australia, and New Zealand. Now, they are from Florida, where there are a number of surfing communities across the state (Kelly Slayer is from the Cocoa Beach area), so it’s quite possible that the guys in the brand might talk surfer lingo, but they’re also closer to the source of reggae than anyone West of Florida is, and they more than anyone would know that it’s “mon” and not “bra”, or the incorrectly spelled “brah”. Even Jeff Spicoli would say “that’s bogus.”
O’Neal’s article does go on to say that they include rock and punk rock with their sound, so right there, that means that they are not just a reggae band. It’s false advertising, and while I hope most people would sense that, I would hate to think that someone expecting some nice roots reggae end up at a show that’s a bit wilder in nature.
As for the article referring to vocalist Dom Maresco being off-color with some of his on-stage comments, fans can decide whether or not that is of value. That should be a dead giveaway too, but it was hard to say if that was addressed because of any alleged comments Maresco had made in the past, or because dancehall reggae can occasionally be lyrically offensive. By being what they are, do they think they can get away with saying these things? I honestly don’t know.
But how is their music? It’s not too bad. It’s not out of the ordinary for a punk band to dip into reggae or share their love of ska, that has been underway since The Clash, Madness, and TheSpecials did it, even Johnny Rotten of The Sex Pistols has admitted to be a long time fan of ska and reggae, and managed to incorporate it a number of times with Public Image Ltd..
Nonetheless, the article seemed like it was extracted from a press release and assembled to make it look half decent. Of course, most newspapers aren’t trying to be investigative about any thing related to music, but give the reader a reason to want to spend 5, 10, or 20 dollars at a concert, give them a reason they should stop playing Farmville and have a good time with a Florida band who has been around for a few years.
Jed & Lucia have released a single that is a preview of what will be on their forthcoming album, Super Human Heart. You’ll get to hear “Apostrophe”, along with a Shawn Lee remix of the song, and “April Showers”, along with a Shlohmo remix. This single will be released as a limited edition (300 copies) 10″ EP.
The songs are described as a mixture of bossa nova, psych, aggro-beats, and… well, when you have Shawn Lee and Shlohmo involved in remixes, you know that the original mixes must be pretty cool.
You can order the 10″ by clicking to Ubiquity Records. The Super Human Heart can also be pre-ordered here, the vinyl version is being sold with both the CD and access to MP3′s. Nice.
Are you a fan of Med? He has a new mix tape out now that you can have for free, mixed by Mixed by DJ Romes of The Lootpack, with a nice mixture that you are sure to enjoy. Here’s the track listing: 1) Intro -prod by JRocc
2) Advice – LMD prod by Madlib
3)Misunderstood -MED prod by Madlib
4) Candlelight -MED feat/prod by Georgia Anne Muldrow
4) 50,000 Watts -MED prod by Soul Professa
5) Salute – J Rocc/MED feat WildChild & Baby Boogalu
6) Fall Back – Fred feat Med/Pok prod by FRED
7) R.E.M -Epsilon Project Feat MED prod by Oddisee
8 ) West Iz Back -MED prod by Khalil
9) Saga Cont. -Babu feat MED prod by Babu
10) O.U.T -Matt feat MED prod by MED
11) Listen -Descry feat MED prod by Descry
12) Outro Prod by JRocc feat Daru Jones on the drums
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Discovered this book review blog when someone had posted a review of a music book. Went through it and saw a number of books I immediately put on my want list. Created by Maria Popova and features a number of contributors.
Cool slew of goodies from books and diaries to T-shirts, bags and soaps. Now based in Portland.
The show is no more, but you may explore the archives of this great Portland-based podcast while you can. You may now listen to Cort & Bobby in Welcome To That Whole Thing, listed below.