It is that time of the year where I have to bring this upbut it is that time that I have to renew my web domain once more, and I am asking for your help.
Before I talk about putting up the digital “tip cup”, let me just say that I enjoy doing what I do on my website, being able to do music and video reviews, news items of interest, and music reviews. My website has never been a means for outside advertising, although had I done that, I almost think those other links would get more hits than my actual website. I don’t post links to an older woman who looks like she smokes 40 packs of cigarettes a day and ooh, look how beautiful she appears today. I don’t offer celebrity rumors to you for the fact that I don’t care for them, and you probably know more than enoughts sites or blogs to read that kind of ephemera. If you have come to my website to find out about music or some of the food-related things I post, I am thankful you continue to make this place a regular stop of your internet travels. I would like to do this for one more year and come summer of 2016, we will see. A part of me wants to try something new and no, I’m not going to try knitting or macrame, I don’t have those type of skills. Trying something new means perhaps a new method of what I’ve been doing for the last 30 years as a writer, and that may mean to try it in a new forum, to do something in a new way. I have a year to decide but I’m leaning towards wanting to try something else other than my “norm”. Thus, let me speak about the “tip cup” for my site.
What I am placing is a “tip cup” of sorts. If you enjoy the type of coverage that I feature here at ThisIsBooksMusic.com and would like for it to continue, I am looking for your donation to continue the website for another year. If you are able to “give a tip” to ThisIsBooksMusic.com, you can do so via PayPal by clicking here. Your private information is secure when you donate via PayPal, and you are also able to make a donation even if you are not a PayPal member. The deadline is September 30th.
While it would be nice for me to run advertising on my website, ThisIsBooksMusic.com is ad-free for a reason, and I’d like to keep it that way. The music I cover is the music I would like for you to listen to and discover for yourself, and pass the information along to those who you think would be interested. This website is about the music I like, support, and listen to on a regular basis, within as many genres as possible. I don’t pick and choose just to make random choices, these are my musical habits, and I share that on a regular basis. If the website is unable to be renewed, all donations will be refunded, no questions asked. If you are able to make a donation, I would be very appreciative.
On July 31, 1995, I started something called the Unofficial Wu-Tang Clan Mailing List, also known as the U-WU (“ooh-wu”) What I tried to do was to make it a news source when the official source was not offering it. I wanted it to be the “University of Wu”
When I started it 20 years ago, it actually didn’t have a name. Originally, I did one edition on the ImagiNation Network (INN) but that was a bit pointless since most of the people on INN were into it to chat or play card games. Thus, I wanted to form a mailing list where one was able to get Wu-Tang Clan and Wu-Tang related news. At that point, it was a day away from the release of Raekwon’s debut album, Only Built 4 Cuban Linx…, and while there were a number of places to find the news, there wasn’t one place where you coukd find that gathered information. I wanted the newsletter to be a mixture of The Source and Rolling Stone, but I wanted to add my nerdiness to it by offering a growing discography. I wanted to show the world that hip-hop could be in the pages of Goldmine, which I attempted to do with reviews in the early 90’s but they did not feel covering hip-hop was worthy enough. In hip-hop, there was very little attention being paid to the discography, for it was believed the music is not going to be around that long and it’s not collectible. My goal was not so much to prove them wrong, but to archive an artist’s output so that other fans could locate what they’re missing. For four years, I made an attempt to buy anything and everything that was Wu-related, at least within the U.S. By 1996/early 1997, it was becoming a rough task but I tried.
The U-WU started with nothing more than 5 members. Sending stuff via e-mail was not impossible, but a very difficult task. For a brief moment, I could only send out x-amount of e-mails before Prodigy would charge me. When they realized people actually wanted to send e-mail out of Prodigy (everything was done internally), they opened it, but you could only send something at 100 e-mail addresses at a time. At its peak, the U-WU was 5200 members strong, which meant I had to send out an e-mail for each newsletter 52 to 53 times a crack.
What I loved was hearing from younger members who said they printed my newsletters and would pass it around to friends who wanted to read not only my information, but the e-mails from other members across the U.S. and the world. It felt good to know my work was being appreciated in that way.
When the Wu-Tang came out with Wu-Tang Forever, I began to lose a bit of interest with what was going on with their music. That might be considered odd, considering Wu-Tang Forever opened the group up to an entirely new audience, those who were not there from their first album or even experienced their solo albums. Or if they did begin, they started with Ghostface Killah’s Ironman in 1996. That in itself also coincided with three albums that year that made me realize that perhaps I should expand my outlook to more than just the Wu-Tang, which I was doing. Those albums were Prince Paul’s Psychoanalysis (What Is It?), Dr. Octagon’s self-titled album (some of you also call it Dr. Octagonecologyst) and DJ Shadow’s Endtroducing.) I was reading URB magazine a lot a lot more than The Source and found the music in URB to be much more to my liking. Oddly enough, most of it was what I considered more towards hip-hop, even though I did like the subgenres. In truth, like many of the other big publications I wanted to write for, I wanted to write for URB but didn’t make it in. It was my way of showing people there’s more to music than just the Wu, which in truth was my way of saying “this is what I like to listen to, check this out.”
There were two things that let me know the U-WU was a success. One was that I had received a call from Wu-Tang management, asking me to check out a new group he was working it. I don’t remember who it was but the track was something like “NY Drive-By”. I liked it and talked about it. The next week, I call up the management and they had no idea who I was or why in the hell I would call them. I was like “I was given a fax from you a week ago” and their view was more or less “we didn’t send any faxes to you.” Sure.
The other thing was when an official Wu-Tang related website used a discography from another website. a discography that was mine, right down to the descriptions I wrote for each title. They decided to give someone else credit, basically for stealing the information from me.
By 1999 or so, I had to find a way to send out e-mail in a better way so I chose to try out Yahoo, which was the hot source engine of the era. They began to have mailing lists, which was my way to transfer some of the e-mail addresses to the new database. By 2001, I had pretty much lost interest with what the Wu were doing. The last album I covered in the newsletter by IRON FLAG. By then, I had found a few communities that featured people I could gel with: Okayplayer, In/Flux//Hindsight, and Soul Strut, the latter of which came from the ashes of the Crates mailing list, which featured a number of well known DJ’s, producers, and collectors. A few of the people in each group were also from rec.music.hip-hop (RMHH) and Prodigy, whom I may have known from when chat room freestyles were a thing or when there was a group known as Lyrical Militia. In many ways, the best communities I was in was an online knitting circle where we could all talk shit.
When I ended the U-WU in 2001, it was a longtime coming. There were other websites who were doing far better graphic-wise, and it was obvious (to me at least) people wanted quality images more than text and info. I’m able to do graphics on a basic level but not what I felt some wanted/preferred. By then, having OKP, In/Flux, Hindsight, and Soul Strut felt like places I could belong in. Maybe in a small way, there’s a bit of a lone rebel mentality but I feel I did very well with the U-WU. I was able to be one of the first to bring a discography mentality into hip-hop when someone like Mercer of Sandbox Automatic was one of the few that made it worthy to others. I wanted to say “this record is worth something, and not just on the collectible side. If it’s worth something to do, archive it in a proper way.”
It’s hard to believe it has been 20 years since I started it, something I really didn’t think was going to turn into anything. I can look back and remember various writers who had just started out and see where they’re at now. I look at myself and I’m still struggling, hoping to get to another next level so someone will now that my hard work is worth something. 20 years from now, I hope to be somewhere better, figuratively and literally.
In the past I’ve tried different hot sauces before made by El Yucateco and the fact this was called a “Black Label Reserve” made me eager to want to try it. The price for this was a dollar or two more than their regular hot sauces, and their hot sauces are considered to be “budget” priced despite the fact the flavor on them have been great.
This Black Label Reserve Chili Habanero is called that because it is literally a black hot sauce, or a dark green, but I’m sure it’s a bit of both. I didn’t think of anything before I tried it but when I had it, I said to myself “are there people who will like this?” It tasted exactly like a burnt habanero, something you put on a grill or stove when you roast it. You burn the pepper and it becomes visibly crips. It tastes exactly like that and for my tastes, the burnt flavor was a bit too much.
I say this and yet I tried the bottle. I didn’t honestly struggle with it and it wasn’t horrible but I wanted to find a dish that would make it taste decent. Of course, it complimented everything in its own way but it isn’t something I’d want to buy again. I never knew burnt could be a flavor for something, I don’t know if burnt butter would sell at movie theaters or burnt corn on the cob would do well at farmer’s markets. As for the heat, it was nice but the flavor overwhelmed and it masked everything else. This one was a no go for me.
You might listen to this and think “if Black Sabbath were a band of the 2010’s, I’d go and see them on tour this summer.” They are not Black Sabbath but they’re called Kadavar, whose style of hard rock has been encouraging their German fans to call them eternal ragers and others throughout Europe personal favorites. Some might call them proto-rock but what the hell does that mean? No matter, this is Kadavar and they sound incredible. The song will be on their forthcoming album Berlin (Nuclear Blast), due out on August 21st.
Publicist UK will be releasing an album before the end of August called Forgive Yourself (Relapse) and from it is the first video from it. The track is called “Away”, kind of a melancholy, downtrodden pop track with a not-so-subliminal rock touch that is quite engaging.
Pearl Charles released a new EP this week on Burger Records, aptly titled Pearl Charles, or you could say it’s self-titled, which may mean it’s untitled but it’s eponymous, you know what that means. For the release, she has released a video for one of its songs, the single from it called “You Can Change”, directed by Angelo Izzo. You can stream the EP in full below from Bandcamp.
She calls herself an alternative rock/pop singer, so say hello to rocker Betty Moon. She recently released her fourth album called Pantomania (Evolver Music), and she is hoping this one will take her to a higher place. Moon is originally from Toronto but relocated to Los Angeles a few years ago. Check out a song from the album called “No Good” and you may end up discovering it is quite good for you.
Most of you are familiar with Homeboy Sandman so you may ask yourself on a regular basis “where is he at now?” Well, he might be at a department store to buy some deodorants but you’re talking musically. He finds himself in a new track by a rapper you may not be familiar with, so please become comfortable with RedBaren 907, who is releasing an album called Life Behind Bars and this is a preview.
If you’ve been paying attention in the last few weeks, you may have seen some posts about a group called Hey Anna. Their new album is called Run Koko and it’s partly why I posted about them, that and they make some damn good music. Now you can watch one of their damn good videos. Well, okay, it’s a good video, whether or not it’s damn good is up to you but that’s why you’re here.
The band also have some shows that will wrap up the summer quite nicely, two of which are all ages shows. Plan accordingly:
August 28… Portsmouth, NH (The Press Room (21+))
August 29… Portland, ME (Bayside Bowl (all ages))
September 2… New Haven, CT (Bar (21+))
September 4… Asbury Park, NJ (The Saint (21+))
September 5… Stroudsburg, PA (The Living Room) (all ages)
If you attended DJ Shadow & Cut Chemist’s recent Renegades Of Rhythm shows, you know it was not just a celebration of hip-hop in general but it celeberates the legacy of Afrika Bambaataa and the records he used and collected in his life. A performance of this show in Oakland was recorded and will be made available for purchase.
Renegades Of Rhythm: Live In Oakland will be released on VHS tape. You got that right, VHS. Yes, VHS is a dead format but so is Betamax, and there have been many times in the last 30 years that vinyl was supposed to die too. While the demand for anything on VHS these days is beyond minimal, hardcore music buffs still flock to VHS tapes that have not been released on DVD or Blu-Ray officially. Just as there are hardcore collectors who consider laserdisc is superior, the VHS is still very much alive and well by many. Only 300 copies of this tape are being made, each one to be individually numbered. DJ Shadow has sold his share of titles on VHS over the years, from the Slurp show to the tape with well known funk and soul drummers so add this to the -ography as well. It’s a bit pricey (well, for me at least) but this is a limited edition and some of you will transfer it digitally immediately anyway. You can pre-order it over at DJShadow.com.
Belonging to the world, can anyone belong to a world> Oddisee says yes, and he says so not only in musical form, but in visual form, so check out his forms. This is from his project called The Good Fight, released this past spring and if you haven’t had the opportunity to hear anything from it, watch the video and than consider getting the album.