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Hemmed by Light, Shaped by Darkness (Agonia) is the Ephel Duath album that is ready to be heard by all with November 19th (November 29th in North America) still set as its release date. You may now listen to a track premiered this week at MetalSucks.net, have a listen to “When Mind Escapes Flesh”.
The vinyl pressing will be available in both
white with black splatter (350 copies) and gold (77 copies). Gold vinyl pressings will be hand-numbered. Both pressings will come in gatefold covers and printed inner jackets. You may pre-order both through the links above.
Last month I had posted a small bit of information about this project and less than three weeks later, there’s much more to report. Agonia Records are set to release Hemmed By Light, Shaped By Darkness, the latest effort from Ephel Duath, described as being “a multi-layered hybrid of death metal, jazz and post rock”. Scheduled for release on November 19th in Europe and November 26th in North America, this release brings together Karyn Crisis, Marco Minnemann, Bryan Beller, and Davide Tiso in a way that will make their fans insane. More insanity. Cannibal Corpse producer and Hate Eternal vocalist Erik Rutan joins them for two of the eight tracks, “Within This Soil” and “Feathers Under My Skin”, the latter of which you may preview in full below.
Here is the full track listing:
1. Feathers Under My Skin
2. Tracing The Path Of Blood
3. When Mind Escapes Flesh
4. Within This Soil
5. Those Gates To Nothing
6. Through Flames I Shield
7. Hemmed By Light
8. Shaped by Darkness
Outside of his vocal contributions, Rutan also produced the entire album in St. Petersburg, Florida at Mana Recording Studios, with mastering done at West West Side Studios in NYC by Alan Douches.
The vinyl pressing will be available in two different color variations:
white with black splatter (350 copies)
gold (77 copies)
The gold vinyl pressings will be hand-numbered. Both pressings will come in gatefold covers and printed inner jackets. You may pre-order both through the links above.
The Dillinger Escape Plan (Hellfest 2004) from hate5six on Vimeo.
According to the band, the plan was for their performance at Hellfest in 2004 to be released on DVD. That didn’t happen. Now, that video has made itself known online. This show was done on the weekend following the release of their 2004 album Miss Machine (Relapse).
Italy’s Ephel Duath enjoy getting experimental with their heavy metal and have done so for years. The group will be releasing their first album in five years called Hemmed By Light, Shaped By Darkness (Agonia), the cover of which reveals a lot to where the small graphic above doesn’t do it justice. It’s multi-dimensional, it’s hard to say where one room begins and one ends, and the significance of the man in the middle who appears to not have genitals. Europe will get the album first on November 19th, while North America audiences can have it on November 26th. The video trailer for the album features artwork from Dehn Sora and Aeron Alfrey, who designed the cover art. Consider this a nice video press kit of sorts, but it also allows you to have a preview of the music, the most important thing, which was produced by Erik Rutan and mastered by Alan Douches.
“The hell you fear is the hell that’s in your mind.” That might be a good way of describing the artwork for Loss Of Self’s EP, Twelve Minutes (The Flenser). The band’s 3-song demo released last year will be remastered as bonus tracks for the release, which will feature six new songs from the group who embrace the black metal and post rock genres and tear it up senselessly.
The album was mastered by James Plotkin, known for his audio expertise with such bands as Isis, Nadja, and Sunn 0))), so Twelve Minutes should be a great listen. The band, who also had a hand in the cover artwork, have posted two tracks from the album, which you may stream and listen to below.
The compact disc version can be pre-ordered now, but vinyl pre-orders will be established soon through TheFlenser.com.
Here’s an interesting project for metal fans. Year Of No Light composed this piece specifically to be performed while Carl Dreyer’s silent film from 1932, Vampyr, was to be their backdrop. They did this at the Roadburn Festival two years ago and the project worked. They decided to head into the studio in 2012 to record the piece, and now it can be purchased on vinyl. Vampyr (Music Fear Satan) consists of one solid 72 minute songs, but divided as individual songs for the vinyl pressing so the listener can tell where they are in the program. It still has the heaviness that the band are known for, but also features experimental and drone elements, perhaps a sign that they may use that again in future projects. You can listen to the album in full below via Bandcamp.
The double LP also comes packaged with the compact disc so if you wish to zone out and immerse yourself in Vampyr non-stop, you can do so. 1000 copies of the record have been pressed, with 700 on black vinyl, 150 on whtie vinyl, 150 on grey splatter, but the grey splattered pressings are now sold out. The album was released on May 7th, and you can now order the black pressing here or the white pressing there. The Music Fear Satan label is based in Paris, France, so postage will be adjusted accordingly to your country.
With roots in Texas, Eight Bells are a trio that now call Portland, Oregon home, and perhaps the new setting is fitting for what they do. Their brand of metal is along the lines of being progressive and experimental, doing the kind of things that you would not expect to hear on a metal album but by listening to it, you may hear other textures.
Melynda Jackson (guitars, contact mic, vocals), Haley Westeiner (bass, vocals), and Christopher VanHuffel (drummist) make up the band, and they will be releasing the 4-song album The Captain’s Daughter (Tartarus) in July. You may stream it in full over at Bandcamp, where you’ll also be able to pre-order the cassette version, which will be pressed in a limited edition of 100 copies.
Each tape will be packaged in a screen-printed black velvet pouch. Now have a listen.
The first thing that made me want to hear this was the illustration of a living and breathing being coming out of a plant. What would I be getting myself into if I listened? Botanist is a one-man band operation from San Francisco, and the concept of the album was so interesting, it convinced me to take a serious listen:
Combining lyrical creativity and musical ingenuity, IV: Mandragora is a concept record on the alchemical creation of a mandrake, and how The Botanist is instructed on raising an army of mandrakes to wipe out humanity. The songs of Botanist are told from the perspective of The Botanist, a crazed man of science who lives in self-imposed exile, as far away from Humanity and its crimes against Nature as possible. In his sanctuary of fantasy and wonder, which he calls the Verdant Realm, he surrounds himself with plants and flowers, finding solace in the company of the Natural world, and envisioning the destruction of man. There, seated upon his throne of Veltheimia, The Botanist awaits the day when humans will either die or kill each other off, which will allow plants to make the Earth green once again.
If anything, this takes Stevie Wonder’s Journey Through The Secret Life Of Planets to a muck darker and sinister level, twisting the concept of what plants are or perhaps a look into what they were before they were used and abused by humans. It’s quite unique, and the fact that it is a concept album, a metal one at that, is even more interesting. There are moments of the production where the sound quality seems a bit thin, but it’s nothing that a bit of EQ can’t fix.
IV: Mandragora was released by The Flenser.
Krallice released their album Dimensional Bleedthrough (which I reviewed here) last year, and would follow it up in less than a year with Diotima. For Krallice vinyl junkies, they’ve had to wait a little longer but the wait will be over, as Gilead Media will be releasing Diotima as a double LP. Copies will be shipped on or around September 20th, and you can pre-order your copy directly from Gilead Media by clicking to Gilead Media’s online store.
The vinyl will be released on 180g black vinyl, and only black. To make it even more interesting, record collectors will love the fact that the covers are being made with “tip-on” jackets, the old style of covers where the “slick” is pasted on the cardboard cover (for a visual example, click here.)
Pre-orders for the album are being taken now, and can be purchased two different ways:
1) The double LP as is
2) The double LP + a T-shirt
This T-shirt will only be available if you purchase the LP/shirt combo, it will not be sold separately. Take advantage of it while you can, and again, buy it directly from the Gilead Media’s online store.
Krallice call what they do “black metal”, but their music does not sound like the black metal I grew up on. Things are more in doom, it’s atmospheric, it’s still heavy but there’s a lightness within, or at least with these guys. In other words, Krallice aren’t a death metal band that sound like they’re from the 80′s, 90′s, or even the 00′s, this is a few steps higher than my accepted norm and I like what I hear. While Dimensional Bleedthrough was released on CD last year by Profound Lore, Gilead Media released it last month as a double vinyl (my copy on clear vinyl), so it was new to me.
The fact that this style of death metal is “advanced to me” doesn’t mean that it doesn’t take from the metal styles of the old, because the album actually begins in a way that sounds like NWOBHM. “Aridity” sounds like some of the best metal styles throughout the 80′s and 90′s, but in a progressive sense, at times an industrial sense. What I also like about this band, a trio, is that they go at it at marathon lengths, jumping out at you with vocals that can sometimes sound like screams but are more controlled and defined. Then they’ll go on these extended musical journeys that sound wonderful, but without getting lofty. Then in a song like “The Mountain” they just play furiously with walls of guitar and throaty vocals, it’s as if you’re hearing vocal cords rip, bleed, and ooze. Just as you want to get into the intensity, the song ends, but then you flip it to side three and you’re on another twisted metal adventure for 12 minutes. There’s a lot going on in these songs, so while you are able to bang your head at will, give this a serious listen by sitting through it, and you’ll hear levels of genius that will eventually put them amongst the metal greats.